�With the boom in consumption of organic foods creating a pressing need for natural insecticides and herbicides that can be used on crops certified as "organic," biopesticide pioneer Pam G. Marrone, Ph.D., is coverage development of a new "green" pesticide obtained from an pull up of the giant knotweed in a report presented at the 236th national meeting of the American Chemical Society.
That 12-foot-high Goliath, named for the jointed swollen nodes on its stem, invaded the U.S. from Japan years ago and grows along the East Coast and early areas. "The product is safe to humans, animals, and the environment," says Marrone, flop and CEO of Marrone Organic Innovations Inc., in Davis, Calif.
The new biopesticide has active compounds that alert establish defenses to combat a range of diseases, including powdery mold, gray mould and bacterial blight that affect fruits, vegetables, and ornamentals. The product will be usable this October for conventional growers, according to Marja Koivunen, Ph.D., director of research and development for Marrone Organic Innovations. A new conceptualisation has as well been developed for organic farmers and will be available in 2009.
In one of the presentations by Marrone Organic Innovations (MOI), the progress toward discovery of an "organic Roundup" - the Holy Grail of biopesticide research - an environmentally friendly and natural adaptation of the world's most widely secondhand herbicide was discussed.
Biopesticides ar derived from plants, microbes, or other natural materials and are proven to be safer for human race and the environment. The active component in one of the company's first products, GreenMatch EX, came from lemongrass oil, and microorganisms from around the world ar studied in the search for novel and effective natural pesticides. Currently, the MOI R&D team is working on an organic rice herbicide based on an draw out from a marine micro-organism, as well as on insecticides and nematocides to kill louse pests and soil-inhabiting, parasitical roundworms that affect plants and animals.
Although sales of synthetic pesticides dominate the $30 trillion pesticide mart, the use of biopesticides is increasing. Officials from MOI estimate that orbicular sales will hit $1 billion by 2010 and grow 10 percent a year on average. Biopesticides could make up 4.25 per centum of the global pesticide business in 2010, up from 2.5 per centum in 2005. As they become more popular, celluloid pesticides are expected to shrink by 1.5 percent each year over the like period.
What accounts for the changing numbers? Public awareness, Koivunen said. "I think the time is right, there's more than demand," she said. "People are becoming more aware of the negative personal effects of conventional pesticides. At the same time, growers are more willing to switch. They have more choices and incentive compared to 10 years ago."
All organic farmers must suffer markets for their nutrient - markets that might not have been available to them a x ago, Koivunen said. Why are people switching to organic solid food? "I think there has been enough scientific evidence that there's a difference between, let's say, conventional tomatoes and organic tomatoes in footing of pesticide residues just also improved taste and higher levels of antioxidants," she said.
Koivunen adds that the growing popularity of biopesticides and organic foods is non a trematode worm. In fact, it is part of a often larger development.
"I think it's a combination of the movement of green chemistry, trying to protect the environment and people's thoughts about their own health - maybe not regular their wellness but their kids; and grandkids' health."
John Simpson
The American Chemical Society - the world's largest scientific social club - is a nonprofit organization organization leased by the U.S. Congress and a global drawing card in providing access to chemistry-related inquiry through its multiple databases, peer-reviewed journals and scientific conferences. Its main offices are in Washington, D.C., and Columbus, Ohio.
Source:
Charmayne Marsh
Michael Bernstein
American Chemical Society
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Wednesday 3 September 2008
Sunday 24 August 2008
Dave Matthews sax player LeRoi Moore dies at 46 from ATV wreck injuries
LOS ANGELES - LeRoi Moore, the versatile saxophonist whose touch staccato fused jazz and funk overtones onto the eclectic sound of the Dave Matthews Band, died Tuesday of complications from injuries he suffered in an all-terrain vehicle chance event, the band said. He was 46.
Moore died at Hollywood Presbyterian Medical Center, where he was admitted with complications that arose weeks afterward the June 30 wreck, according to a statement on the band�s Web site. It did non specify what led to his death, and nursing supervisor Galina Shinder said the hospital could non release details.
On June 30, Moore crashed his ATV on his farm outside Charlottesville, Va., but was discharged and returned to his Los Angeles place to start physical therapy. Complications forced him back to the hospital on July 17, the band said.
The band went on with its show Tuesday night at the Staples Center in Los Angeles, where lead singer Dave Matthews dedicated the entire show to Moore.
"It�s invariably easier to leave than be left," Matthews told the crowd, according to Ambrosia Healy, the band�s publicist. "We appreciate you all existence here."
Saxophonist Jeff Coffin, wHO played with Bela Fleck and the Flecktones, had been sitting in for Moore during the band�s summer tour.
Matthews credited Moore with arrangement many of his songs, which compound Cajun fiddle-playing, African-influenced rhythms and Matthews� playful but haunting voice.
The band formed in 1991 in Charlottesville, Va., when Matthews was working as a barman. He gave a demonstration tape of his songs to Moore, who liked what he heard and recruited his friend and fellow jazz musician Carter Beauford to play drums, and other musicians.
The group broke out of the local music view with the album "Under the Table and Dreaming." The band won a Grammy Award in 1997 for its hit sung dynasty "So Much to Say" off its second album "Crash." Other hits include "What Would You Say," �Crash Into Me" and "Satellite."
Moore, world Health Organization wore dark sunglasses at the bands� many live concerts, had classical preparation but said jazz was his main musical influence, according to a life history on the band�s Web site.
"But at this stage I don�t really consider myself a jazz musician," Moore said in the biography. Playing with the Dave Matthews Band was "almost bettor than a jazz gig," he aforementioned. "I stimulate plenty of space to improvise, to try new ideas."
Fans wHO attended Tuesday�s concert expressed sadness over Moore�s end and concern about the band�s future without him.
"LeRoi was just super of import to the band," Shawn Harrington said before the concert. "That�s how the band came to be."
Another fan, Byron Ramos, aforementioned was surprised to hear of Moore�s death as he approached Staples Center. He aforesaid the ring is "consecrate to what they do" and was happy the concert was not canceled.
"It�s a grounds, right?" Ramos said.
___
More info
Thursday 14 August 2008
Download Afrika Bambaataa
 Artist: Afrika Bambaataa: mp3 download Genre(s): Electronic Other Rap: Hip-Hop Discography:  Beware (The Funk Is Everywhere) Year: 2005 Tracks: 9  The Dance Album Year: 2004 Tracks: 12  TelLieVision Maxi Year: 2004 Tracks: 5  Dark Matter: Moving At The Speed Of Light Year: 2004 Tracks: 16  Looking for the Perfect Beat: 1980-1985 Year: 2001 Tracks: 13  Pupunanny Year: 1994 Tracks: 6  The Decade of Darkness (1990-2000) Year: 1991 Tracks: 12  Funk You 12'' Year: 1985 Tracks: 4  Unity Year: Tracks: 6  Dont stop the Planet Rock Year: Tracks: 7  Agharta Year: Tracks: 4 A originative Bronx DJ during the 1970s, Afrika Bambaataa ascended to godfather condition with Planet Rock, the 1982 rap music authoritative which blended the beats of hip-hop with techno-pop futurism inspired by German pioneers Kraftwerk. Even in front he began recording in 1980, Bambaataa was hip-hop's frontmost DJ, an organizer and promoter of the large block parties during the mid to previous '70s which presaged the rise of rap. After the winner of Planet Rock, he recorded electro-oriented rap alone when meagerly, concentrating or else on merger -- exemplified by his singles with ex-Sex Pistol John Lydon and familiar godfather James Brown. Bambaataa had moved to the scope by the later '80s (as far as hip-hop was interested), simply the rebel of his Zulu Nation collective -- including De La Soul, Queen Latifah, A Tribe Called Quest, and the Jungle Brothers -- plant him in one case more being tipped as unrivalled of rap's creation fathers. Natural in the Bronx on April 10, 1957, Afrika Bambaataa Aasim took his name from a nineteenth one C Zulu gaffer. Beginning in 1977, Bambaataa began organizing block parties and breakdancing competitions about the Bronx. His first-class turntable techniques and noesis of music light-emitting diode many to proclaim him the best DJ in the patronage (though Grandmaster Flash and DJ Kool Herc were more groundbreaking), and his track record debut -- as a producer -- came in 1980 with Soul Sonic Force's "Zulu Nation Throwdown." The single was a rally cry for the Zulu Nation, a radical of like-minded Afrocentric musicians that only gained fame in the later '80s merely had been influencing the jump of hip-hop crews since the late '70s. Aside from more production credits on various afterwards singles during 1980-1981, Afrika Bambaataa didn't suit an actual transcription creative person until 1982. He sign with Tommy Boy records and released his number one individual, "Sporty Sensation," early that year. "Planet Rock" followed in June and quickly exploded. Recorded with the help of producer/dancefloor authorisation Arthur Baker and assimilative the melody of Kraftwerk's "Trans-Europe Express," the single strike identification number quaternity on the R&B charts (just lost the pop Top 40) and joined the Sugarhill Gang's "Rapper's Delight" as one of the early classics of hip-hop. (Grandmaster Flash's "The Message" followed exactly trey months later.) In the single's wake up came gobs of electro groups and recordings, though none touched the quality of "Planet Rock" -- demur, maybe, Bambaataa's possess review, "Looking for for the Perfect Beat." Out of those electro groups came several predominant dance styles of the 1980s and '90s: Detroit techno, Miami bass, and, to a more than limited extent, Chicago house. Freed slightly by his newfound popularity, Afrika Bambaataa began branching out in 1984, recording "Ace" with help from James Brown and "World Destruction" with John Lydon (as Time Zone). That like year, Bambaataa delivered an album debut of sorts, Shango Funk Theology, recorded as Shango with Material force Bill Laswell and Michael Beinhorn. A virtually LP-length unmarried coroneted "Funk You!" appeared in 1985, afterwards which Bambaataa recorded his proper album debut, Beware (The Funk Is Everywhere). He left Tommy Boy in 1986 afterwards an record album compiling of "Planet Rock" mixes, and signed with Capitol. The kickoff record album expiration for the label was 1988's The Light, recorded as Afrika Bambaataa & the Family, which included contributions from George Clinton, UB40, Bootsy Collins, and Boy George. Three days later, Bambaataa's third record album, 1990-2000: Decade of Darkness, was released on Capitol, coincident with his career retrospective Time Zone, released on his possess Planet Rock Records. Bambaataa recorded unpredictably during the '90s, simply returned to the mainstream in 1997 with Zulu Groove. The naked millenary brought the going of Hydraulic Funk on Strictly Hype, and Electro Funk Breakdown followed in other 2001. |
Daleks invade the Proms (while earthlings pay �250 for a ticket)
Wednesday 6 August 2008
Ossastorium
Artist: Ossastorium
Genre(s):
Metal: Death,Black
Discography:
Per Aspera...
Year: 2004
Tracks: 6
Guy Ritchie Plans To Turn Robert Downey Jr.'s Sherlock Holmes Into Action Hero
Friday 27 June 2008
Anne Hathaway�s Ex Slams Break-Up Stories
Anne Hathaway’s rumored split from boyfriend Raffaello Follieri has made just as many headlines as her starring role in the new ‘Get Smart’ movie, however, he has had enough of the gossip columns comments.
Melanie Bonvicino, a spokesperson for Follieri, addressed the numerous reports telling the New York Post he was “angered” by “repeated mischaracterizations” of the couple’s split.
“It is worth noting,” Bonvicino said. “As you continue to attempt to scandalize a respected businessman and philanthropist, that the Follieri Foundation has vaccinated hundreds of children in Nicaragua and Honduras to date, in addition to recently rebuilding an orphanage in Brazil.”
Follieri has made headlines recently for reportedly failing to file an IRS tax disclosure form for his foundation, which is a requirement for charities.
Hathaway was previously on the board of directors for the charity, however, her rep, Stephen Huvane, stated, “There is an investigation going on that does not involve Anne. She is no longer a board member of the Follieri Foundation. Other than that we will not be commenting.”
Photo courtesy of Warner Bros. Pictures.
Melanie Bonvicino, a spokesperson for Follieri, addressed the numerous reports telling the New York Post he was “angered” by “repeated mischaracterizations” of the couple’s split.
“It is worth noting,” Bonvicino said. “As you continue to attempt to scandalize a respected businessman and philanthropist, that the Follieri Foundation has vaccinated hundreds of children in Nicaragua and Honduras to date, in addition to recently rebuilding an orphanage in Brazil.”
Follieri has made headlines recently for reportedly failing to file an IRS tax disclosure form for his foundation, which is a requirement for charities.
Hathaway was previously on the board of directors for the charity, however, her rep, Stephen Huvane, stated, “There is an investigation going on that does not involve Anne. She is no longer a board member of the Follieri Foundation. Other than that we will not be commenting.”
Photo courtesy of Warner Bros. Pictures.
Thursday 19 June 2008
Friday 13 June 2008
Girls Aloud And Spice Girls Stars 'To Judge X-Factor'
Members of Girls Aloud and Spice Girls have been approached about judging the next series of X-Factor, according to former judge Sharon Osbourne.
Osbourne said that Spice Girl Mel B and Girls Aloud singer Cheryl Cole had both been asked to inherit her position since she announced her departure last week.
Speaking on BBC Radio 1, Osbourne said that she had “loved” working on the show, describing it as “the best four years of my life”.
Osbourne, who backed Cole to take over her place on the panel, denied that she had left the show over money.
"We were negotiating and they offered me an obscene amount of money. It didn't change anything. I had to walk away when I did,” she said.
Osbourne sat on the panel for four series alongside the shows creator Simon Cowell and fellow judges Danni Minogue and Louis Walsh.
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